FINE ART : PAINTINGS
- Title
- Arthur, 1st Marquess of Donegall 1739-99 (c.1780)
- Object Name
- Painting
- Maker
-
Gainsborough, Thomas 1727-1788 (Primary maker)
Gainsborough, Thomas 1727-1788 (artist) - Date Made
-
1780 (circa)
1780
1780 (circa)
c. 1780 - Description
- During the eighteenth century full-length portraits were the most admired and expensive commissions as they posed the greatest artistic challenges. Gainsborough was a highly accomplished landscape painter, as well as a portraitist of great skill and sensitivity, and in this full-length portrait he has introduced a delicate, atmospheric landscape that serves to lighten the formal elegance of the sitter’s pose. Arthur, 1st Marquess of Donegall, was a member of the Chichester family, who had played a major role in the early history of Belfast. Physical Description: Dressed in a green long coat and yellow waistcoat the Marquess of Donegall leans on a cane beside a tree. His arms are folded and he holds a tricorn hat in one hand. Wig and buckle shoes traditional of the period.
- Materials
- oil on canvas
- Catalogue Number
- BELUM.U35
- Notes
- © National Museums NI. Purchased with the aid of a grant from The Art Fund.
- A print of this work is also available from our Art UK shop. National Museums NI is a founding partner of Art UK, the online home for every public art collection in the United Kingdom. The Art UK website brings together art from over 3,400 British institutions and shows over 300,000 works by over 50,000 artists.
National Museums NI holds over a million objects in the collection, as well as this we manage the records and associated images for each object through a working database. The national collection has been almost 200 years in the making, and we recognise that thinking about collecting and collections has evolved over this time and continues to evolve. As a result, some of our records may contain language and views that we now consider offensive and unacceptable, for example, reflecting racist attitudes. We are committed to addressing these issues, and to reviewing and updating our records accordingly. Working with researchers, communities and academic partners we are learning more about the stories behind objects, and we are committed to sharing these with our audiences. We welcome feedback. Please email [email protected]