home / Ecclesiastical Ruins on Inniscaltra, or Holy Island, Lough Derg, Co. Galway, after Sunset: "This Island is One of Great Historic Interest ..." Petrie (c. 1863)

FINE ART : PAINTINGS

Title
Ecclesiastical Ruins on Inniscaltra, or Holy Island, Lough Derg, Co. Galway, after Sunset: "This Island is One of Great Historic Interest ..." Petrie (c. 1863)
Object Name
Painting
Maker
Watkins, Bartholomew Colles 1833-1891 (Primary maker)
Watkins, Bartholomew Colles 1833-1891 (artist)
Date Made
1863 (circa)
1863 (circa)
c. 1863
Description
Inniscaltra, also called Holy Island, is one mile south-east of the village of Mountshannon, in the stretch of Lough Derg which is situated in Co. Clare (not in Co. Galway, as stated in the title). The monastery on the island was founded by St Caimin in the seventh century but was burned by the Vikings in 836 and 922 AD; however, St Caimin’s church continued in use until the fourteenth century. Buildings remaining include five churches, an anchorite’s cell and a round tower. Watkins specialized in Irish mountain scenery, such as in the Killarney area and monastic ruins and castles in various parts of the country. His works are simply and realistically executed, with a strong feeling for light; witness the magnificent sunset effects of this painting. The work was shown at the Royal Hibernian Academy in 1866, as was another version of the picture, the whereabouts of which is unknown.
Materials
oil on canvas
Catalogue Number
BELUM.U172
Copyright
National Museums NI
National Museums NI holds over a million objects in the collection, as well as this we manage the records and associated images for each object through a working database. The national collection has been almost 200 years in the making, and we recognise that thinking about collecting and collections has evolved over this time and continues to evolve. As a result, some of our records may contain language and views that we now consider offensive and unacceptable, for example, reflecting racist attitudes. We are committed to addressing these issues, and to reviewing and updating our records accordingly. Working with researchers, communities and academic partners we are learning more about the stories behind objects, and we are committed to sharing these with our audiences. We welcome feedback. Please email [email protected]