APPLIED ART : COSTUME
- Object Name
- Cocktail dress
- Maker
-
Paquin (Primary maker)
Paquin (maker) - Date Made
-
1950's
1950's - Description
- Pink and black cocktail dress with large back bow 1950's. Short strapless cocktail dress, of black corded silk with straight skirt and false button front with seven self covered buttons and false pockets at bust. A pleated pink corded silk insertion at top front bodice extends to a large decorative bow at centre back. Centre back zip. Bodice is heavily boned and padded with two internal hooked tapes and press studs at opening. Black organza lining to skirt. From exhibition label early 2000s: Silk cocktail dress, 1951 Paquin The house of Paquin was founded in Paris in 1891 by Madame Paquin, the first major female couturier, or couturiere. The house continued after her death in 1936 closing in 1956. This dress, in the popular colour combination of c.1950, black and pink, is probably the most chic dress in this exhibition. The Givenchy beside it is its only competition. From exhibition label 'Grand Designers' Madame Paquin was married to a wealthy businessman who provided the initial financial backing for the firm she founded in Paris in 1891. She was the girst fashion designer to be awarded the 'Legion d'Honneur' in 1913. Very aware of the value of marketing her clothes, she often took models to race meetings and social events to show off her designs. Her career spanned many stylistic changes and although she died in 1936, the house of Paquin continued for twenty years.
- Catalogue Number
- BELUM.T3779
- Copyright
- National Museums NI
National Museums NI holds over a million objects in the collection, as well as this we manage the records and associated images for each object through a working database. The national collection has been almost 200 years in the making, and we recognise that thinking about collecting and collections has evolved over this time and continues to evolve. As a result, some of our records may contain language and views that we now consider offensive and unacceptable, for example, reflecting racist attitudes. We are committed to addressing these issues, and to reviewing and updating our records accordingly. Working with researchers, communities and academic partners we are learning more about the stories behind objects, and we are committed to sharing these with our audiences. We welcome feedback. Please email [email protected]