APPLIED ART : COSTUME
- Object Name
- Coat
- Maker
-
Clark, Ossie (Primary maker)
Clark, Ossie (maker) - Date Made
-
1969 circa
1969 circa - Description
- design : snake skin maxi coat, with belt by Ossie Clark. From exhibition label for 'The Fashion Show' exhibition Ulster Museum 2002 Snakeskin coat over cire mini dress, c. 1968 Cost by Osiie Clark (1942-1996) At the end of the sixties the wearing of a 'maxi' coat over a mini dress became a dominant fashion which hearlded the end of the mini era. Fashion was moving to a longer, slinkier, more retro look. Ossie Clark used fabric prints by his then wife Celia Birtwell in his evening wear Literature: 'The Ossie Clark Diaries' edited by Henrietta Rous where Ossie describes discovering a stash of snakeskins and decides to use them to mak garments, 'They were exotic, with added glamour attached to wearing a part of a dangerous animal and the association with fetish in clothing oneself with the skin of another creature's skin.' From exhibition label 'Grand Designers' Raymond Clark graduated in 1964 from the Royal College of Art, at the beginning of the swinging Sixties' when London was in its heyday of artistic and musical innovation.' His design career began in Alice Pollock's shop 'Quorum,' but he made his name by his collaboration with his wife Celia Birtwell who designed the prints with which he worked. The combinatuon of his cutting and tailoring techniques and the subtle, etheral colouring of Birtwell's fabrics made him London's most famous designer of the Seventies.
- Materials
- snakeskin
- Catalogue Number
- BELUM.T2705
- Copyright
- National Museums NI
National Museums NI holds over a million objects in the collection, as well as this we manage the records and associated images for each object through a working database. The national collection has been almost 200 years in the making, and we recognise that thinking about collecting and collections has evolved over this time and continues to evolve. As a result, some of our records may contain language and views that we now consider offensive and unacceptable, for example, reflecting racist attitudes. We are committed to addressing these issues, and to reviewing and updating our records accordingly. Working with researchers, communities and academic partners we are learning more about the stories behind objects, and we are committed to sharing these with our audiences. We welcome feedback. Please email [email protected]