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APPLIED ART : COSTUME

Object Name
Evening Outfit, John Galliano
Maker
John Galliano (Primary maker)
John Galliano (designer)
Date Made
1993 Spring/Summer
1993 Spring/Summer
Place Made
England: London
London
Description
Evening dress of light brown satin silk worn together, net over satin, with evening dress of cream cotton net. Bias cut satin evening dress of complex cut, skirt swirling from diagonal panel to hand-held train - finger loop is at its point. Low v necked front, shoe-string straps, low back, with rouleau ties fastening 8.3 cm deep back opening. Self bound top edges. Net dress is of similar cut, minus the train. Label, on both, woven white on black "John Galliano" in gothic script, with coat of arms.; From exhibition text early 2000s: Satin dress with net overdress, 1993 John Galliano, (1960-) Galliano is now the house designer Christian Dior, Paris. He is extraordinarily inventive and, like Westwood, often uses fashions of an earlier period as a starting point in his work. From exhibition text 'Grand Designers' John Galliano was born in 1960 and studied at St Martin's College where his complete final year show was bought by Joan Bursteinn of Browns, London. He launched his own label in 1984 which ended in his bankruptcy, then became the first British designer to head the House of Givenchy. He became the creative director at Dior in 1996 and has international success. His prodigious talent lies in his flamboyant ideas and use of luxurious fabrics, combined with exquisite cutting and tailoring.
Materials
cotton silk
Catalogue Number
BELUM.T3621
Copyright
National Museums NI
National Museums NI holds over a million objects in the collection, as well as this we manage the records and associated images for each object through a working database. The national collection has been almost 200 years in the making, and we recognise that thinking about collecting and collections has evolved over this time and continues to evolve. As a result, some of our records may contain language and views that we now consider offensive and unacceptable, for example, reflecting racist attitudes. We are committed to addressing these issues, and to reviewing and updating our records accordingly. Working with researchers, communities and academic partners we are learning more about the stories behind objects, and we are committed to sharing these with our audiences. We welcome feedback. Please email [email protected]